綦江農(nóng)民版畫源于明清年間的木板年畫，作品取材于廣大農(nóng)民群眾的生產(chǎn)生活實(shí)踐，表現(xiàn)手法在簡(jiǎn)單傳授繪畫技法的基礎(chǔ)上，大量吸收了當(dāng)?shù)孛褡迕耖g美術(shù)技法，諸如在民間廣為流傳的木雕、石刻、布貼、挑花、木板年畫、剪紙、藍(lán)印花布等表現(xiàn)手法，具有濃郁的民族民間風(fēng)情和生活氣息。作品突現(xiàn)出古樸稚拙，夸張浪漫的藝術(shù)效果，具有較高的藝術(shù)價(jià)值。
The Qijiang peasant printmaking originated from the wood board year painting in the Ming and Qing Dynasties. The works were drawn from the practice of production and life of the masses of farmers. On the basis of simple teaching of painting techniques, a large number of local folk art techniques have been absorbed, such as wood carving, stone carving, cloth paste, flower selection, wood board Year paintings and scissors. Paper, blue calico and other expression techniques, with strong national folk customs and life breath. The work emerges from the simple, childish, exaggerated romantic artistic effect and has high artistic value.
